
PANTOGRAPH PUNCH – All of Our Beginnings: Motherhood in the Exhibition ‘M/other’
Many thanks to Matariki Williams for her thoughtful review of M/other on THE PANTOGRAPH PUNCH. A guided tour of the works included and the artists
Many thanks to Matariki Williams for her thoughtful review of M/other on THE PANTOGRAPH PUNCH. A guided tour of the works included and the artists
11 artists from around the country have been brought together to critically discuss an inclusive interpretation of motherhood, mothering and maternal roles. Expressed through moving image, photography, sculpture and installation; the artists share both a radical vulnerability and empowered strength.
20 April – 7 August 2019
Whakatane Museum and Arts
Opening: 11 am Saturday 20 April 2019.
What do you think of when you hear the word ‘mother’? This question has occupied the minds of 11 artists from around the country, who have been brought together to critically discuss an inclusive interpretation of motherhood, mothering and maternal roles.
In this turbulent moment in history, abortion remains a signifier of people’s ownership over their bodies, being as urgent a subject as any of the issues that now consume us.
‘Screw Up’ is about the regulation and resulting judgment placed on the female body. The trauma this causes, the scars it can leave and the resilience needed to continue.
Pictured here are the envelopes from the clinic and the charts I used to record unmentionable information about my cycle. No details are revealed here just the key I created for myself, hinting at the ‘RAGE’ I felt during the whole process.
This is an attempt to conform to a standard and found lacking. A performance evolved to control a body which only undermines the regulation. Layering the frustration, the performance never ends, the body fails to deliver and they never meet in the middle.
She can watch, hear and speck her own story. There is nowhere for shame to hide.
All in different stages of their careers, Lynn, Walker and Sklenars’ individual practices deal with contemporary trajectories relevant to the female experience. Collectively, they speak to a wider social conscience, responsibility, and identity within New Zealand society.
So delighted to have a work included in the Wallace Art Awards show at Pah Homestead in Auckland. Wallace Art Awards 3 September – 4